f5.6
f7.1
f10
f14
f22
f36
I've learned a couple of things from this exercise:
In the past, I've always thought of depth of field in extremes i.e. maximum or minimum aperture that I can get away with. I think I need to consider the extent of depth of field a lot more as a compositional element.
I noticed from the above sequence that the depth of field extended to the right more than the left as the aperture value increased. I put this down to the minimum focusing distance on the lens. So the area in focus is not just affected by aperture - the closeness of the lens to the subject also needs to be kept in mind.
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